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講座 | 粵港當代藝術中的泛組織與個體生長

2018年2月2日 14:00 ~ 2018年2月2日 16:00

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    講座 | 逆光:雙城取樣 

    粵港當代藝術中的泛組織與個體生長

    講者:胡斌、武漠、陳丹笛子、馮火、鄧國騫、黎卓華

    時間:201822 週五 14:00 - 16:00

    地址:香港藝術中心 麥高利小劇場

    語言:國語

    主辦機構:香港藝術中心、楊鋒藝術與教育基金會

     

    Talk | Against the Light: Sampling in Two Cities

    Pan-Organizationsand Individual Growth of Contemporary Art in Canton and Hong Kong

    Speakers: Hu Bin, Wu Mo, Chen Dandizi, Fong Fo, Tang Kwok Hin and Sarah Lai Cheuk Wah

    Date: Feb 2nd (Friday) 2018

    Time: 14:00 - 16:00

    Address: McAulay Studio, Hong Kong Arts Centre

    Language: Chinese

    Presented By: Hong Kong Arts Centre, FrankF. Yang Art and Education Foundation




    “逆光:雙城取樣”展覽嘗試以新的角度和方法描述珠三角地區年輕藝術家共通的內在體驗與創作走向,將廣州、香港兩座藝術生態較為完善的城市視作容器,以樣本觀察的方式切入,選取了陳丹笛子、鄧國騫、馮火、鄺鎮禧、黎卓華、湯大堯六位藝術家/組合的作品。“逆光”作為壹種視角提出,緣於珠三角地區經常性的陽光強烈直射,其在自然與城鎮中形成的光影錯落更形塑了城區景觀、人的視覺體驗與生活方式。在今天,它進壹步延展為城市燈光、智能設備、數碼屏幕等造成的後現代情狀中的“人造逆光”效果。從上世紀70年代廣東藝術家利用“逆光”構建的“陽光感”對“全國模式”的豐富,到當下珠三角藝術家以逆向或多重視角放大日常生活之“異象”的工作方法,“逆光”既形成了新的歷史縱深感,又蘊含著某種“反其道而行之”的精神特質。

     

    以展覽作為引子,我們即將在香港藝術中心舉辦講座交流活動,邀請兩位策展人和參展藝術家講述各自的工作以及對於珠三角藝術生態的觀察與認知。此次講座的主題為:粵港當代藝術中的泛組織與個體生長。圍繞這壹主題,我們希望探討珠三角地區在過去幾年中較具代表性的藝術組織形態,及其與藝術家個體發展之間的互動關系。兩地的藝術組織形態具有怎樣的區域特質?它們各自的生產方式及在不同生態當中發生的作用為何?藝術個體在此類組織形態中扮演了何種角色,又由此被激發了怎樣的創作動力?我們希望此次講座可以成為有效討論以上問題的壹次嘗試。


    Against the Light: Sampling in Two Cities attempts to take on a new perspective and approach in iterating the shared experiences and creative direction among young artists in the Pearl River Delta region, regarding Guangzhou and HongKong – these two developed art ecologies – as the containersfor six artists and artist collectives, namely CHEN Dandizi, FONG Fo, KONG ChunHei, TANG Dayao, TANG Kwok Hin, Sarah LAI Cheuk Wah, whose artistic practices are observed and studied through this exhibition.


    Against the Light proposes a perspective, inspired by the constant and strong daylight beating down on the two cities'natural and urban environment, its efflorescence shaping the urban landscape and people’s ways of life and visual experiences. Today, life is evolving into urban luminosity, with smart devices and digital screens creating an “artificial backlight” effect in the post-modern condition. Since the 1970s, artists from Guangdong have adopted the notion of the “backlight” in rendering the experience of being “under the sun” that enriched a “model for the whole country”; the artists of the Pearl River Delta region have here to fore take non multiple or counterintuitive perspectives in magnifying the “uncanniness” of their everyday life. Against the Light aims to offer new depth to this historical narrative, while embodying a spiritual quality of “going against the grain.”

     

    Around the exhibition, we will hold a talk in Hong Kong Arts Center, inviting curators and artists to present their work and their understanding of the art ecology in the Pearl River Delta. The theme of the talk is: Pan-Organizations and Individual Growth of Contemporary Art in Canton and Hong Kong. On this theme, we hope to discuss the more representative forms of art organizations in the Pearl River Delta in the past few years and their interactive relationship with individual development of artists. What are the regional characteristics of the art organizations in both places? What are their respective modes of production and their roles in different eco systems? What kind of creative power does artistic individual play in such organization and how the creative power has been stimulated? We hope this talk can be an attempt to effectively discuss the above issues.




    關於策展人

    About Curators

    Hu Bin.JPG

    胡斌(1978年出生於湖南長沙,現工作和生活於中國廣州)本科、碩士畢業於廣州美術學院美術史系,博士畢業於中國藝術研究院,曾在廣東美術館編輯部、三年展辦公室、廣州美術學院美術史系工作,現為廣州美術學院美術館副館長,藝術管理學系教授。

    HU Bin (b. 1978, Changsha; works and lives in Guangzhou) obtained his bachelor's and master's degrees from the Department of Art History at the Guangzhou Academy of Fine Arts, and received a doctoral degree  from the  Chinese National Academy of Arts. He has worked in the editorial office and Guangzhou Triennial office of the Guangdong Museum of Art and in the Department of Art History at the Guangzhou Academy of Fine Arts. He is now the deputy director of the Art Museum of the Guangzhou Academy of Fine Arts and a professor in the Department of Arts Management.  

    Wu Mo.jpeg


    武漠是一位生活在香港的寫作者、策展人。她在中央美術學院藝術管理系獲得碩士學院,目前為香港中文大學藝術系博士候選人。她的研究興趣集中在1980年代以來的中國當代藝術及策展實踐。她的寫作見載於多種期刊與出版物,包括《藝術新聞(中文版)》,《藝術界》,藝術論壇中文網,《藝術:典藏(國際版)》,《燃點》等。作為策展人,她近期的策展項目包括《世變》(Para/Site,香港,中國,2016)《意變形隨》(1a Space,香港,中國,2017)等

    Wu Mo is a writer and curator based in Hong Kong. She received her master’s degree in Art Administration at The Central Academy of Fine Arts . She is currently a Ph.D. candidate in the Department of Fine Arts at The Chinese University of Hong Kong. Her dissertation research focuses on contemporary Chinese art and curatorial practice since the 1980s. Her writings have appeared in a number of publications and magazines, and she is a contributing writer for The Art Newspaper China, LEAP, Artforum.com.cn, Yishu: Journal of Contemporary Chinese Art, and Randian, among others. She has recently curated That Has Been, and May Be Again (Para/Site, Hong Kong, 2016) and Ways of Surviving through Accelerated Mindfulness (1a Space, Hong Kong, 2017).



    關於講者

    About Speakers

    Chen Dandizi副本.jpg


    陳丹笛子1990年生,2007年到廣州學習和生活至今。 2015年,她於廣州美術學院油畫系獲學士學位。創作涉及錄像、裝置、攝影以及文學。她的作品中不乏疏離的人類情感體驗,運用趨於冷色、晦暗的基調,試圖傳達當下都市生活中某種個體的孤獨情感。經典的電影和文學作品也是其創作的重要靈感。近年個展/雙個展有:浮生與手記(膠囊上海,上海,2016)、最大膽冒險者(廣東當代藝術中心實驗空間,廣州,2016)、討詞語的詩人(騰挪空間,廣州,2014);曾參加的群展和藝術節包括:逆光:雙城取樣(楊鋒藝術與教育基金會,深圳,2017)、當代繆斯(Modern Art Base,上海,2017)、第二屆女性藝術家錄像藝術節(墨西哥國家文化數字中心和克雷塔羅市博物館,墨西哥,2017)OCAT 放映:「畫內音」(曹斐策劃,OCAT深圳圖書館,深圳,2016)、僅僅在場(廣州畫廊,廣州,2016)、城市原點:共享之屋——深港城市/建築雙城雙年展(龍崗西埔世居,深圳,2015)、新視覺藝術節——窺視……放大!(OCAT深圳華僑城創意文化園,深圳,2015)、中國女性藝術家錄像藝術節(墨西哥國家文化數字中心,墨西哥阿斯卡波察爾科,2015)及「今天——在通往未來的途中」(騎樓藝術中心,海口,2015)等。 

    CHEN Dandizi Born in 1990. Since 2007, she has been living in Guangzhou. Chen received her BA degree from the Guangzhou Academy of Fine Arts (Guangzhou, China) in 2015. Her practice includes video, installation, photography, and literature. There are always alienated emotional experiences expressed in her works. Through the use of cool colors and gloomy tones, she tries to reveal the loneliness of individuals in our current urban life. Classical films and literary works are an important inspiration for her.

    Chen’s recent solo/two-person exhibitions have been presented include: Fleeting Memories and Written Notes ,(Capsule Shanghai, Shanghai, 2016), The Most Daring Venture ,(Guangdong Contemporary Art Centre, Guangzhou, 2016), A Poet Who Begs for Words, (Sabaki Space, Guangzhou, 2014);The exhibitions and she once participated include: Against the Light: Sampling in Two Cities, (FY Foundation, Shenzhen, 2017), The Modern Look (Part I), (Modern Art Base, Shanghai,2017), 2nd Chinese Video Artists Festival, (Mexico national culture Digital Centre and Queretaro City Museum, Mexico, 2017), OCAT Screens: “Rhythm Analysis”, (organized by Cao Fei, OCAT Shenzhen Library, Shenzhen, 2016), Mere Existence, (Canton Gallery, Guangzhou, 2016), Re-Living the City (Affiliated exhibition: Co-Living) —Bi-City Biennale of Urbanism/Architecture, (Xipu new residence in Longgang district, Shenzhen, 2015), Fresh Vision 2015 Spy…Magnify! , (OCAT, Shenzhen, 2015), Chinese Video Artists Festival, (Mexico national culture Digital Centre, Mexico, 2015) and “Today—On the way to the future”, ( Arcade Art Center, Haikou, 2015), etc.


    Fong Fo副本.jpg

    馮火(2013年創立于中國廣州)是一份月刊雜誌的名字,團隊共有五位成員。馮偉敬是雜誌出品人和主編;朱建林負責雜誌的廣告和推廣;BUBU負責印刷及外聯;歐飛鴻是馮火的勞務派遣;史鎮豪是形象大使。馮火雜誌以“大眾讀物”的姿態,收集藝術家的創作。每月21號出版,在不同城市共有十七個銷售點,每本售價1元;每期附有三頁廣告,每個廣告頁面售價50元。通過廣告的收入維繫馮火月刊的持續運營。馮火一貫風格是:勁、好商量、識事、好相處、飛、勻巡、心水清、分真、愛地球、勤力、有口齒及好人。近期個展包括:《馮火影視城》(泰康空間,北京,中國,2017)、《我叫阿史》(OCAT西安館,西安,中國,2015)。群展有:《都市折疊》(央美術館,北京,中國,2017)、《畫內音》(OCAT深圳館,深圳,中國,2016)、《榕樹頭旅行社》(廣東時代美術館,廣州,中國,2016)、《場域的毛細管》(廣州美術學院美術館,廣州,中國,2016)等。

    FONG Fo (b. 2013, Guangzhou; lives and works in Guangzhou) is the name of a monthly magazine which was born in March 2013. FENG Weijing is its producer and editor-in-chief. ZHU Jianlin is responsible for its advertisement and public relations. BuBu is in charge of printing and communications. OU Feihong is FONG Fo’s labor dispatch and SHI Zhenghao is its image ambassador. Fong Fo presents artists’ creations through being a popular magazine. It is published on the 21st each month. There are 17 points of sale in different cities and the price of magazine is ¥1 each. Every month there are three pages of advertisements in the magazine and each advertisement sells at ¥50. The income from advertisements sustain Fong Fo’s operation. The spirits of Fong Fo are: kickass, democratic, savvy, easy-going, free, fair, sensible, earth-loving, hard-working, reliable, decent. FONG Fo's solo exhibitions include FongFo Film City (Taikang Space, Beijing, China, 2017) and Call Me Arthistory (OCAT, Xi’an, China, 2017). Group exhibitions include Rebel Cities (Yam Art Museum, Beijing, China, 2017), Rhythm-Analysis (OCAT, Shenzhen,  China, 2016), Banyan Travel Agency (Guangdong Times Museum, Guangzhou, China, 2016), and Capillaries of the Field (Art Museum of GAFA, Guangzhou, China, 2016). 

    Tang Kwok Hin.jpg


    鄧國騫(1983年出生於香港,現工作和居住於中國香港)是一位元混合媒介藝術家,香港中文大學藝術碩士。其創作路途始于對其原居民背景不間斷的追問,繼而發展出對存在本義及親密式美學的探討。此思考體現於其作品,他淡化藝術和生活的界線,通過融和創作及人類種種矛盾意圖展現本質性。他時常挪用和重構日常與個人文本以講述隱伏生活的故事,如觸及成長、承傳、自由、資本主義、消費主義、自然、政治、規範等,透露出對人事物的關懷。曾參與第15屆威尼斯建築雙年展、第15屆波蘭媒體藝術雙年展、2009年香港當代藝術雙年獎等,亦曾於美國邁亞密冰宮、德國奧斯特豪斯博物館、英國曼徹斯特華人藝術中心等展覽。2009年獲香港當代藝術雙年獎優秀獎,亦為2013年亞洲文化協會獎助金得主。

    TANG Kwok Hin (b. 1983, Hong Kong; works and lives in Hong Kong) is a mixed media artist who holds a Master of Fine Arts from The Chinese University of Hong Kong. Tang begins the artistic path fromcontinuous queries into his native background; from this, he soon developed exploration towards the origins of existence and intimate aesthetics. The seconcerns are reflected in his works. He blurs the bound aries between art and life by integrating creation with the conflicts of humankind, which reveals in trinsic values. He often appropriates and reconstructs daily and personal contexts to narrate hidden stories in life, dealing with growth, inheritance, freedom, capitalism, consumerism, nature, politics, norms, etc., to express concern towards humans and their surroundings.

    He previously participated in Ia Biennale di Venezia: 15th International Architecture Exhibition at the Hong Kong Pavilion, 15th WRO Media Art Biennale, Hong Kong Contemporary Biennial Award 2009, etc.; He has also exhibited at Ice Palace, Miami, U.S.A.; Osthaus Museum, Hagen, Germany; and the Centre for Chinese Contemporary Art, among others. He was the first prize winner of the Hong Kong Contemporary Art Biennial Award 2009 and a 2013 Asian Cultural Council grantee. 

     

    Sarah Lai.jpg

    黎卓華 (1983年出生於香港,現工作和生活於中國香港),於2007年獲得香港中文大學藝術系學士學位,現就讀香港中文大學藝術系碩士課程。近期個展包括:《讓晚風送走昨日的夢》(剩餘空間,武漢,中國,2017)、《停滯之中》(Para/Site,巴塞爾香港藝術展,香港,中國,2015)等。群展包括:《From Ocean to Horizon》(華人藝術中心, 曼徹斯特,英國,2017)、《不隅之見》(第五屆三亞藝術季,三亞,中國,2016) 和《第二屆CAFAM未來展》(中央美術學院美術館,北京,中國,2015)等。

    Sarah, LAI Cheuk Wah (b. 1983, Hong Kong; lives and works in Hong Kong) obtained her BA in Fine Arts from The Chinese University of Hong Kong in 2007 and is currently an MFA degree candidate at The Chinese University of Hong Kong. Her recent solo exhibitions include Let the night breeze send away yesterday’s dreams (Surplus Space, Wuhan, China, 2017), In Stasis (Para/Site, Art Basel, Hong Kong, China, 2015), among others. Group exhibitions include From Ocean to Horizon (Centrefor Chinese Contemporary Art, Manchester, UK, 2017), Inception (The Fifth Art Sanya, Sanya, China, 2016)and The 2nd “CAFAM Future” Exhibition (CAFA Art Museum, Beijing, China, 2015).




    關於展覽 

    About Exhibition

    逆光:双城取样 海报(手机版).jpg


    展覽:逆光:雙城取樣

    展期: 2017年11月26日至2018年2月25日

    地點: 有空間 深圳市南山區蛇口南海意庫2棟201

    策展人: 胡斌、武漠

    藝術家:陳丹笛子、馮火、鄺鎮禧、湯大堯、鄧國騫、黎卓華

    主辦:楊鋒藝術與教育基金會

    贊助:藍海資本、優米金融



    Exhibition Title: Against the Light: Sampling in Two Cities

    Duration:26th Nov. 2017 to 25th Feb. 2018

    Exhibition Venue: YOU Space Room 201, Building 2, Nanhai E-cool, Shekou, Nanshan District, Shenzhen, China

    Curators: HU Bin, WU Mo

    Artists: CHEN Dandizi, FONG Fo, KONG Chun Hei, TANG Dayao, TANG Kwok Hin, Sarah LAI Cheuk Wah

    Presented By: Frank F. Yang Art and Education Foundation

    Sponsors: Blue Ocean Capital Group, Youmi Finance



    NU-FF.Y-LOGO-.jpg




    - 關於楊鋒藝術與教育基金會 -

    作為非營利藝術機構,楊鋒藝術與教育基金會(簡稱“基金會”)旨在為藝術家、策展人、評論家和全球的藝術愛好者構建一個多元的文化平臺,以激發對當代藝術具有啟發性的對話與思考。

    願景&宗旨

    基金會一直致力於推廣當代藝術的研究和交流,積極支持和贊助非營利的展覽、活動和出版等項目,並在深圳和上海設立了三個非營利空間,用以舉辦系列專案與展覽,探討當代藝術以及對當今問題作出回應。

     

    介紹

    楊鋒藝術與教育基金會在2015年由楊鋒先生在香港註冊成立。深信生活與藝術的共生關係,機構所開設的非營利空間打破白盒子理念,進一步模糊私人和公共的界限,為藝術支援提供另一種可能性的探索和實踐方法。

     

    現機構已設立了三個空間,分別是位於深圳的有空間、額外空間和上海的留下空間。

     

    2016年基金會舉行了《兩個時刻》的收藏展覽I&II,推出“微徵集”項目、展覽以及新銳策展人工作坊,與UCCA合作,於深圳“有空間”舉辦《勞森伯格在中國》的展覽公共活動。2017年初,基金會在深圳“額外空間”舉辦了《梁銓如茶|楊鋒收藏展》;3月,年度展覽《所見非所得:一個關於楊鋒藝術與教育基金會的展覽》在“有空間”展出;11月,在有空間舉辦了“逆光:雙城取樣”的展覽。12月,位於上海的新空間“留下空間”舉辦了開幕首展《當幕布拉起,我們的對話早已完結——留光顯影》。自成立以來,基金會陸續支持了一系列美術館、非盈利空間的展覽、出版和公共教育項目,以及藝術家獨立藝術項目。

     

    有空間

    週一至週五,早上10點至下午6點

    深圳市南山區蛇口南海意庫2棟201

    +86 0755 8827 4894

    info@fyfoundation.com

     

    額外空間

    需提前預約參觀

    深圳市寶安區曦城曦穀花園

    +86 0755 8827 4894

    info@fyfoundation.com

     

    留下空間

    週二至週六,早上10點至下午6點

    上海市黃浦區建國西路56弄29號

    +86 021 6403 2810

    info@fyfoundation.com



    - Frank. F Yang Art and Education Foundation -

    The Frank F. Yang Art and Education Foundation (“FYF”) was established in Hong Kong in 2015 by Mr. Frank F. Yang. With a firm belief in the symbiotic relationship between life and art, we expand practice beyond the white cube while blurring the boundaries between the private and public to provide new possibilities for modes of exploration and practice in art.


    We currently have three spaces: YOU Space and EXTRA Space in Shenzhen and SPARE Space in Shanghai.


    The projects sponsored by the Frank F. Yang Art and Education Foundation include David Diao: A Retrospective (Ullens Center for Contemporary Art, Beijing), Hinterland Project (Times Museum, Guangzhou), and the Bi-City Biennale of Urbanism/Architecture (Shenzhen & Hong Kong).

    Projects sponsored by FYF include David Diao: A Retrospective (Ullens Center for Contemporary Art, Beijing), Hinterland Project (Times Museum, Guangzhou), and the Bi-City Biennale of Urbanism/Architecture (Shenzhen & Hong Kong).


    In 2016, FYF held a pair of exhibitions of collected works, Two Moments I& II, and launched the Micro Curatorial Project, which included exhibitions and an emerging curators' workshop, while at the same time working with the Shanghai Rockbund Art Museum to sponsor the year long “RAM@Campus.” In July 2016, FYF hosted a public education program for the UCCA exhibition Rauschenberg in China, at YOU Space in Shenzhen, and presented Liang Quan Light as Tea | FY Collection Exhibition at EXTRA Space in the beginning of the year 2017 as well as the main exhibition Everything You Need to Know about the FY Foundation: An Exhibition. In November, YOU Space presented Against the Light: Sampling in Two Cities. In December, an opening exhibition All Said and Done Before the Fat Lady Sings  Developed from Spare Particleswas presented in Spare Space in Shanghai. Since founded, FYF has supported a series of exhibitions, publishing and public education projects with museums and non-profit spaces, as well as artists' independent art projects.



    YOU Space
    Monday – Friday, 10am-6pm
    Room 201, Building 2, Nanhai E-cool, Shekou, Nanshan District, Shenzhen
    +86 0755 8827 4894
    info@fyfoundation.com

     

    EXTRA Space
    By Appointment
    Xigu Garden, Xicheng, Bao'an District, Shenzhen 
    +86 0755 8827 4894
    info@fyfoundation.com

     

    SPARE Space  
    Tuesday – Saturday, 10am - 6pm
    Lane 56, #29 West Jianguo Road, Shanghai

    +86 021 6403 2810
    info@fyfoundation.com


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